Let your family know you hold them dear with this spiritual textual art plaque. “Bless this house,” the image reads, followed by a sentimental prayer about the joy and pride family brings. The words are printed in a charming mix of fonts over whitewashed reclaimed wood planks for a rustic, country-chic appearance. Made in the USA, this plaque measures 8.5" H x 6.5" W x 0.5" D, arrives individually boxed, unframed, and ready to hang with a keyhole cutout and wall mounting hardware included. Bible Verse Image
This Wall Art set contains high-quality canvas pieces that are professionally wrapped around stretcher bars. The thickness ensures that your wonderful canvas items will display beautifully while resisting against any twisting and warping. The finest artwork, photography, and images in the world that provide you with absolutely stunning wall decor for your house, apartment or office. This beautiful canvas set is really eye-catching! Christian Images
This Wall Art set contains high-quality canvas pieces that are professionally wrapped around stretcher bars. The thickness ensures that your wonderful canvas items will display beautifully while resisting against any twisting and warping. The finest artwork, photography, and images in the world that provide you with absolutely stunning wall decor for your house, apartment or office. This beautiful canvas set is really eye-catching! Biblical Verses Image

While many white musicians gravitated toward country, folk, and old-timey music to express their spirituality outside of traditional Christian hymns, Black Gospel music drew heavily upon the traditional spirituals that had been passed down from the days of slavery, picking up its more driving rhythmic emphasis from blues and early jazz. Composer and singer Thomas A. Dorsey crystallized the style in 1932 with his epochal "Take My Hand, Precious Lord," and went on to compose a great many songs that later became standards. When performed in the churches, the music was traditionally sung by a choir, with individual soloists sometimes taking the spotlight; this often happened in a form known as "call and response," in which either the choir or the soloist would repeat and/or answer the lyric which had just been sung by the other, with the soloist improvising embellishments of the melody for greater emphasis. As the music developed, these soloists became more and more virtuosic, performing with wild emotion (and, in the South, physicality) in order to properly express the spiritual ecstasy the music was meant to evoke. The music was quite egalitarian in terms of gender, as both male and female performers -- Brother Joe May, Rev. James Cleveland, Mahalia Jackson, the Clara Ward Singers, etc. -- gained wide renown among both black and white audiences. The small-group format was also prevalent, with major figures including the Five Blind Boys of Mississippi, the Soul Stirrers, the Swan Silvertones, and the Dixie Hummingbirds; in general, these groups placed a greater premium on smooth vocal harmonies, although some performances could approach the raucous energy (if not quite the huge sound) of a choir-with-soloist group. As the years progressed, black gospel and black popular music influenced and borrowed from one another, reflecting the gradual change of emphasis toward R&B; black gospel also had an enormous impact on the development of soul music, which directed gospel's spiritual intensity into more secular concerns, and included a great many performers whose musical skills were developed in the church. As a recognizable style unto itself, black gospel music largely ceased to develop around the 1970s; progressing racial attitudes had helped black popular music reach wider audiences (and become more lucrative) than ever before, and tastes had turned towards the earthy hedonism of funk and the highly arranged, sophisticated Philly soul sound. The former wasn't quite appropriate for worship, and it wasn't all that practical to duplicate the latter in church services. However, the traditional black gospel sound survived intact and was eventually augmented by contemporary gospel (an '80s/'90s variation strongly influenced by latter-day urban R&B); plus, singers like Whitney Houston continued to develop within its ranks. Christian Images

So, who are the best gospel singers? Any list of gospel artists has to include male gospel singers like Kirk Franklin, Marvin Sapp, BeBe Winans, and Fred Hammond, as well as female Christian singers like CeCe Winans, Yalonda Adams and Shirley Caesar. These gospel singers are considered some of the best in the genre and it's with good reason that they're at or near the top of this poll. The best gospel artists are well represented on this list and with good reason. When you think of Christian singers and gospel artists, you should be able to use this list as a great point of reference.
Our extensive experience ensures you of the highest quality product. As in most industries, when they start to mature the low price competitors come in to make quick money with inferior products. The Vinyl Wall Decal industry has been no different. Just in the past few years, we have seen a flood of inferior products coming in from overseas. While these products are usually cheap, they aren’t usually even functional. These products come without necessities like pre-installed transfer tape making it almost impossible for you to actually install the product. One company we know of doesn’t even “weed” their products making them useless for most customers. Of course, trying to fight with a Chinese company for a $5 refund is seldom worth the time so most users just end up frustrated and disappointed.
Add a charming reminder to your walls with this art. A perfect finishing touch for traditional spaces, it adds style and spirit to your home. This piece showcases a typographic motif written in black cursive font and reading “What if you woke up today with only what you thanked God for yesterday?” The vintage paper-inspired background adds an extra touch of classic appeal to this art. Made in America, this art is printed on wrapped canvas and enhanced by a detailed brown frame and...
While many white musicians gravitated toward country, folk, and old-timey music to express their spirituality outside of traditional Christian hymns, Black Gospel music drew heavily upon the traditional spirituals that had been passed down from the days of slavery, picking up its more driving rhythmic emphasis from blues and early jazz. Composer and singer Thomas A. Dorsey crystallized the style in 1932 with his epochal "Take My Hand, Precious Lord," and went on to compose a great many songs that later became standards. When performed in the churches, the music was traditionally sung by a choir, with individual soloists sometimes taking the spotlight; this often happened in a form known as "call and response," in which either the choir or the soloist would repeat and/or answer the lyric which had just been sung by the other, with the soloist improvising embellishments of the melody for greater emphasis. As the music developed, these soloists became more and more virtuosic, performing with wild emotion (and, in the South, physicality) in order to properly express the spiritual ecstasy the music was meant to evoke. The music was quite egalitarian in terms of gender, as both male and female performers -- Brother Joe May, Rev. James Cleveland, Mahalia Jackson, the Clara Ward Singers, etc. -- gained wide renown among both black and white audiences. The small-group format was also prevalent, with major figures including the Five Blind Boys of Mississippi, the Soul Stirrers, the Swan Silvertones, and the Dixie Hummingbirds; in general, these groups placed a greater premium on smooth vocal harmonies, although some performances could approach the raucous energy (if not quite the huge sound) of a choir-with-soloist group. As the years progressed, black gospel and black popular music influenced and borrowed from one another, reflecting the gradual change of emphasis toward R&B; black gospel also had an enormous impact on the development of soul music, which directed gospel's spiritual intensity into more secular concerns, and included a great many performers whose musical skills were developed in the church. As a recognizable style unto itself, black gospel music largely ceased to develop around the 1970s; progressing racial attitudes had helped black popular music reach wider audiences (and become more lucrative) than ever before, and tastes had turned towards the earthy hedonism of funk and the highly arranged, sophisticated Philly soul sound. The former wasn't quite appropriate for worship, and it wasn't all that practical to duplicate the latter in church services. However, the traditional black gospel sound survived intact and was eventually augmented by contemporary gospel (an '80s/'90s variation strongly influenced by latter-day urban R&B); plus, singers like Whitney Houston continued to develop within its ranks. Bible Verse Image
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Paul knew that the outward man or woman was perishing, day by day, and as he said “was wasting away” but the most important work was being done inwardly by the Spirit of God and this was the renewal that each believer in Christ is undergoing, day by day.  God’s Spirit works to convict us of sin, He works to make us more like Christ, and our sanctification is a lifelong process and even though we might be falling apart outwardly, what is eternal is what is inside and that’s the only thing that counts. We are new creations in Christ (2 Cor 5:17) even though the outward appearance is decaying, so that’s why Paul didn’t want us to lose heart. Christian Images
Put the finishing touch on your serene space with this two-piece print set, perfect for yoga studios and prayer rooms. Showcasing tranquil hand symbols adorned with henna and bangles, each offers neutral hues of brown and blush with light starry details. Made in the USA, each piece is printed on canvas and wrapped around a wood frame for a look that rivals any gallery. Plus, this duo arrives ready to hang with wall-mounting hardware included. Bible Verse Image
While many white musicians gravitated toward country, folk, and old-timey music to express their spirituality outside of traditional Christian hymns, Black Gospel music drew heavily upon the traditional spirituals that had been passed down from the days of slavery, picking up its more driving rhythmic emphasis from blues and early jazz. Composer and singer Thomas A. Dorsey crystallized the style in 1932 with his epochal "Take My Hand, Precious Lord," and went on to compose a great many songs that later became standards. When performed in the churches, the music was traditionally sung by a choir, with individual soloists sometimes taking the spotlight; this often happened in a form known as "call and response," in which either the choir or the soloist would repeat and/or answer the lyric which had just been sung by the other, with the soloist improvising embellishments of the melody for greater emphasis. As the music developed, these soloists became more and more virtuosic, performing with wild emotion (and, in the South, physicality) in order to properly express the spiritual ecstasy the music was meant to evoke. The music was quite egalitarian in terms of gender, as both male and female performers -- Brother Joe May, Rev. James Cleveland, Mahalia Jackson, the Clara Ward Singers, etc. -- gained wide renown among both black and white audiences. The small-group format was also prevalent, with major figures including the Five Blind Boys of Mississippi, the Soul Stirrers, the Swan Silvertones, and the Dixie Hummingbirds; in general, these groups placed a greater premium on smooth vocal harmonies, although some performances could approach the raucous energy (if not quite the huge sound) of a choir-with-soloist group. As the years progressed, black gospel and black popular music influenced and borrowed from one another, reflecting the gradual change of emphasis toward R&B; black gospel also had an enormous impact on the development of soul music, which directed gospel's spiritual intensity into more secular concerns, and included a great many performers whose musical skills were developed in the church. As a recognizable style unto itself, black gospel music largely ceased to develop around the 1970s; progressing racial attitudes had helped black popular music reach wider audiences (and become more lucrative) than ever before, and tastes had turned towards the earthy hedonism of funk and the highly arranged, sophisticated Philly soul sound. The former wasn't quite appropriate for worship, and it wasn't all that practical to duplicate the latter in church services. However, the traditional black gospel sound survived intact and was eventually augmented by contemporary gospel (an '80s/'90s variation strongly influenced by latter-day urban R&B); plus, singers like Whitney Houston continued to develop within its ranks. Bible Verse Image
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